Together, we have faith

July 24, 2026
Christ In The Psalms
Psalm 45 — An Introduction
Psalm 45:1
To the choirmaster: according to Lilies. A Maskil of the Sons of Korah; a love song.
“My heart overflows with a pleasing theme;
I address my verses to the king;
my tongue is like the pen of a ready scribe.”
“While acknowledging that the song was presumably first written for a royal wedding of a king in David’s line, I follow the lead of Hebrews in expounding it primarily of Christ and his church.” (C. Ash)
Psalm 45 — an introduction. There are generally three views of this Psalm in the history of Christian interpretation. The older writers see this Psalm as a wedding song between the Church, the Bride of Christ, and Jesus, as they do in interpreting the Song of Solomon. The other end of the spectrum is to see this Psalm as an Old Testament kingly wedding song, perhaps referencing Solomon in his marriage to the daughter of the king of Egypt. Christopher Ash suggests an “intermediate” position — “An intermediate position holds that the psalm concerns the kingdom of Christ but that the bride is not a type of the church of Christ. Yet although Hebrews 1:8 does not mention the latter, the strong Old and New Testament theme of the people of God as the bride of the Messiah encourages us to understand this symbolism here as the original meaning. The exhortation of Psalm 45:10 fulfills little purpose today unless this is so.” There are strong messianic references in this Psalm — “Hebrews 1:8 says that Psalm 45:6–7 is spoken “of” (ESV) or “to” (CSB) the Son of God. The natural supposition is that the whole psalm concerns Jesus Christ.” There are verbal and thematic links to Psalm 2, 21 and 110, all messianic. The reference to the future dynasty of the king has to reference Christ the King. Psalm 45 is linked in its ascription to Psalm 42–44. This wedding and its reign points us to the fulfillment of our hopes in Christ, not a mere earthly king. This is more than “a profane lyric,” as Weiser and other writers would have us believe. “According to the Lilies” has resonances of love and romance, as it is used in the Song of Solomon. The “song of loves” comes from a Hebrew root which “is always used of a high and noble affection, especially of Jehovah’s love for His people” (e.g., Isa. 5:1; 60:5; Deut. 33:12).” Psalm 45:1 may even be an allusion to God the Father — “that God the Father is speaking in Psalm 45:1 and that perhaps the overflow of his heart alludes to the eternal generation of the Son.” And so, it is fitting to interpret this love song as that of Christ and his Church.
Prayer for Today —
“We call on you to deliver us. For all things are of you, and through you, and to you. We do not approach you in prayer because of our own righteousness. Our sins prevent us from standing before you, but we make mention of Christ’s righteousness—his alone. He is our righteousness. We know that spiritual sacrifices are acceptable to you only through Christ Jesus. And we cannot hope to receive anything, unless we ask you on his behalf. Therefore make us accepted in the Beloved, the one who adds much incense to the prayers of saints, and offers them up upon the golden altar before the throne. We come in the name of the great high priest, who is passed into the heavens, Jesus the Son of God. He was touched with the feeling of our infirmities, and is therefore able to save to the uttermost all those that come to God by him. He lives forever, making intercession. See our shield, O God, and look on the face of your Anointed. With a voice from heaven, you declared yourself well pleased in him. Lord, in him be well pleased with us. Amen.” (Matthew Henry in “Piercing Heaven”)


